The Heart Animates MS Doc When I Walk

“Wherever you live in this world, basically . . . you are alone. Even if [we] have support systems, we’re really alone.” Those words, shorn of sentimentality, are offered—and received—as motherly balm in the documentary When I Walk. Filmmaker Jason DaSilva, having turned his camera on himself to capture the…

Forgotten Flick Ravenous Is the Best-Ever Manifest Destiny Cannibal Comedy

Ravenous is a film-shaped UFO: It’s so delightfully weird that its very existence defies logic. Imagine a film that makes A Modest Proposal–style satire out of Dracula’s gothic horror tropes in the spaghetti western milieu of The Great Silence. It’s a pitch-black comedy about Manifest Destiny and cannibal frontiersmen. Set…

Spanish Horror Comedy Witching and Bitching Is a Joyous, Sexist Mess

A major achievement in sunny wretchedness, Álex de la Iglesia’s splatter-comedy Witching & Bitching projectile-pukes its outrages with a gusto recalling the early days of those (sadly) reformed upchuckers Sam Raimi and Peter Jackson. De la Iglesia doesn’t share those directors’ interest in making clear just why characters do the…

How to Train Your Dragon 2 (Mostly) Works

If you ever have days when you prefer animals to human beings, How to Train Your Dragon 2 is your kind of movie. In some ways, the second entry in this animated franchise is inferior to the first, released in 2010: The plot is needlessly busy, and much of the…

Narco Thriller Heli Makes War-Zone Art

So far onscreen, Mexican narcoculture has generated mostly grim documentaries, but given the carnage and the proximity, you can easily imagine the movies coming from both sides of the border: the mezzobrow hand-wringers, the trigger-joy gangster trips, the based-on-true-story crusades. What we might not have seen coming is something like…

The Signal Is Too Busy Blowing Minds to Tell a Story

There’s still one kind of dread that today’s genre filmmakers can reliably stir up: that fear that everything we’ve been watching onscreen is going to be upended by some last-minute twist, that all the clues and portents we’ve puzzled over will be swept away in favor of some revelation so…

All Cheerleaders Die Is Almost as Good as Its Title

You could call it Bring It On meets The Craft and stop right there with considerable accuracy. But why would you, when All Cheerleaders Die actually delivers as much trashy, gory fun as a movie with such a title suggests? Lucky McKee and Chris Sivertson’s teen horror romp benefits from…

The Dance of Reality, Jodorowsky’s Last Wig-Out, Might Be His Best

The grand old dirty pope of midnight-movie voodoo and post-’60s turn-on, drop-out mythopoeia returns with a vengeance, in his autumnal phase and with, surprise, a personal look backward at his own childhood. The Dance of Reality might be Alejandro Jodorowsky’s best film, and certainly, in a filmography top-heavy with freak-show…

Smart Edge of Tomorrow Keeps Killing Its Star

In 1986, peaceniks were mad at Tom Cruise. That year, the Navy thanked Top Gun for boosting enlistment another 20,000 recruits. Since then, he’s made more critiques of military than advertisements, most of which (Lions for Lambs, Born on the Fourth of July, The Last Samurai, Valkyrie) j’accuse bad leadership…

Chereau’s Queen Margot Returns — and Still Stuns

The French film, opera, and theater director Patrice Chéreau, who died this past October at age 68, once told an interviewer that he saw human relations as being like rugby or football, in which “everybody is intertwined, and trying to kick everyone else.” Chéreau perceived love strategically, in terms of…