Dexter Series Finale: All Good Things Must Come to an End

Dexter’s final season has come to an end, and with a still mourning heart, it’s time to say goodbye. Before the final episode aired, a touching reel of the cast saying thank you to fans played, in which Jennifer Carpenter (Debra) let us know that, “We’re going out the way…

Enough Said: Fall for James Gandolfini One Last Time

When a relatively young actor dies suddenly, as James Gandolfini did in June, it’s tempting to wonder about the roles he’ll never get to play. When we didn’t know we’d be losing him so soon, it was always fun to see Gandolfini show up, a casual surprise: In 2012 alone,…

Prisoners‘ Men — Jackman, Gyllenhaal — Suffer Ambitiously

If five Oscar nominees lose two young girls in the woods, will their wailing make a sound? That’s the key question of Prisoners, Denis Villeneuve’s prestigious puffery about a father (Hugh Jackman) and a cop (Jake Gyllenhaal) trying to catch a kidnapper. Prisoners is a dog whistle for Academy voters…

C.O.G.: Funny in Print, Dour Onscreen

Kyle Patrick Alvarez’s C.O.G. is the first film to be based on the work of David Sedaris. It’s clearly a passion project for Alvarez, and the picture is faithful to the events of the autobiographical story “C.O.G.,” about Sedaris working in rural Oregon to see how “real” people live (and…

In Thanks for Sharing, a Great Romance Elevates a Sex-Addiction Drama

Forbidden fruit has never seemed so poisonous than in Thanks for Sharing, a remarkably sensitive and surprisingly romantic ensemble drama about sex addiction. A winsome mix of funny, harrowing, and smart, it’s most commendable for making characters who are addicted to bad behavior — and who refuse to blame themselves…

La Camioneta: A Powerful, Beautifully Shot Doc About Buses

It might take the viewer a moment to realize that the voiceover guiding us through director Mark Kendall’s documentary La Camioneta is meant to be the thoughts of one of the refurbished buses that are part of the film’s focus. In dulcet tones, the audience is served a healthy portion…

Adore‘s Creepy, Quasi-Pedophiliac Entanglement

There’s something unsettling about Anne Fontaine’s Adore, and, surprisingly, it has nothing to do with the film’s two middle-aged women who fall in love with each other’s teenage sons. The cougars in question are Lil and Roz, best friends since childhood played with notable earnestness by Naomi Watts and Robin…

Avoid Garbage Like Touchy Feely

Just as tedious as waiting in a dentist’s office for an hour and a half, Lynn Shelton’s latest fumblingly cutesy outing ought to be her last. (Sadly, it is not — she’s already wrapped production on a dark comedy starring Keira Knightley and Sam Rockwell.) Using a script instead of…

The Wizard Of Oz Is in 3D for Some Reason

You have every reason to be skeptical. We’ve suffered years of 3D cash-grabs. This spring visited upon us a cheap-jack James Franco grimacing through the stubbornly un-magical Oz the Great and Powerful. And the movies have only gotten L. Frank Baum right precisely once, in 1939. Return to Oz,Walter Murch’s…

Generation Iron: A Gorgeous Meditation on Age-Old Existential Concerns

Early in the documentary Generation Iron, bodybuilding icon Arnold Schwarzenegger observes that “Bodybuilding falls into this unique category of being a sport, entertainment, being a way of life, and art.” It’s an uneasy quartet of ideas forced to harmonize within bodies intentionally made freakish and/or beautiful. Director Vlad Yudin spends…

The Mainframe Madness of Computer Chess

In Andrew Bujalski’s admirable, vaunted 2002 debut, Funny Ha Ha, the microbudget auteur and occasional actor’s nervous temp, Mitchell, ineffectually attempts to seduce an aloof young lady over a bedroom chess match. As if pawns themselves, dependably obeying the established rules of conduct, the characters in Bujalski’s films are consistently…

Short Term 12: A Potent Story of Kids on the Edge

Like The Wire or Romanian director Cristian Mungiu’s oeuvre, Short Term 12 is the kind of film that sounds agonizingly depressing on paper but mesmerizes onscreen. It’s a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition, and resonance. Easily one of the best…