With Deep Surface, Film Meets Dance at Miami Beach Cinematheque

Composer Gabriel Pulido, who conceived the multimedia performance work Deep Surface, has a degree in music synthesis. Perhaps that’s one reason why the Venezuelan-born artist’s collaborations take him to Paris and New York from his home base in Miami, bringing together influences from a variety of sources to create a…

Cameraman: The Life and Work of Jack Cardiff Docx Opens at O Cinema

“He gave me half my performance with the lighting,” says actress Kathleen Byron of cinematographer Jack Cardiff, who shot her in 1947’s Black Narcissus. A rebuke to style-versus-substance segregationists, these words pay tribute to the star of Craig McCall’s documentary, a soapbox for the wizened eminence to explain the innovative…

Woody Allen’s Midnight in Paris Resurrects the Lost Generation

A deceptively light time-travel romance, Woody Allen’s Midnight in Paris uses fairy-tale devices as a way to get to the filmmaker’s familiar themes. A nebbishy screenwriter who longs to publish a novel, Gil (Owen Wilson) is working on a book set in a nostalgia shop–much to the open frustration of…

The Hangover II Treats the Original Like a Sacred Text

Most sequels are born of good box office rather than good ideas–if you build it and they come, you simply must build another one. But it’s hard to imagine a more calculating, creatively bankrupt piece of real estate than The Hangover Part II.  Trade out Las Vegas for Bangkok, a…

Inside Barry Jenkins’s Chlorophyl with Lead Ana Trevino

Chlorophyl, the 25-minute short directed by Miami native Barry Jenkins, stars first-time actress and Miami local Ana Trevino. It premiered at last month’s Borscht Film Festival. If you saw the movie, regardless of your opinion, it didn’t quite fit into the context of the arena in which it was presented…

Village Voice Media’s Picks From the Strongest Cannes Film Festival in Years

The following review was provided by Village Voice Media critic J. Hoberman, who was in Cannes for the festival.The last day screening of Nuri Bilge Ceylan’s ruminative, challenging Once Upon a Time in Anatolia strengthened an exceptionally ambitious and coherent competition at this year’s Cannes Film Festival–although Terrence Malick’s The…