“Can somebody pinch me,” requests director Wilkenson Bruna, nervously speaking moments before his first feature film, Wind of Desire, premieres at the Intracoastal Theater in North Miami Beach. “I’m still dreaming.” Before him, the seats are packed with the movers and shakers of Miami’s Haitian community dressed in their finest…
Christ is sexy. There, got your attention. But honestly, think about it: nice guy, pretty hair, carpentry skills, puts loaves (and fishes) on the table. Plus all that doing miracles and rising from the dead and being the Son of God business. Heck, he’d be a prime catch for any…
Goodbye, Mr. Chips. Hello, Mr. Hundert. If we can judge by the new Kevin Kline vehicle, The Emperor’s Club, the notions remain alive (if not particularly well) that a self-sacrificing boarding school teacher can enrich the lives of his students while subsisting in relative emotional misery himself — and that…
Miami film fans have long complained about the difficulty in catching offbeat independent films. The local art house cinemas — the Cosford, Soyka, the Absinthe, Intracoastal, and the Miami-based microcinema group www.straightawaymovies.com — serve up indie fare, but many hot films never make it to South Florida and those that…
Miamians have been hearing the same promise for years: The city is a certifiable and important center for the arts. It is on the cusp of greatness, as far as an arts scene is concerned. The city has culture, with artists, musicians, and filmmakers of diverse backgrounds creating a new…
There’s no denying that U2 is awesome, nor that Phil Joanou is a snappy director, but the charming awkwardness of Sam Jones’s 16mm black-and-white rockumentary, I Am Trying to Break Your Heart, makes one wanna murmur, “Rattle on? Humbug!” at the Irish Grammy-grabbers’ old-school cinematic self-celebration. As we turn our…
With Frida — the story of profoundly passionate and uncompromising Mexican-Jewish painter Frida Kahlo — it’s evident that a few folks in marketing know how to work the demographics (it’ll be extremely PC, possibly mandatory, to gush in adoration of it), but that’s the first and last cynical comment of…
Anyone familiar with Kenny Scharf’s work won’t be surprised to learn that the Pop Surrealist, painter of Jetsons and Flintstones characters, psychedelic space adventures and cool mutant creatures, has created an animated cartoon. Scharf’s half-hour The Groovenians premieres November 10 on the Cartoon Network and will be previewed at a…
Listen up, retards: Killing time is over. Melt down your weapons, now, forever. Wouldn’t it be nice if that sentiment echoed around the world? Well, certainly it does, every day, but weapons have a nasty tendency of drowning out sensible words. For this reason — now more than ever –…
If you’re a fan of the baseball cap-wearin’, Nader-votin’, muckrakin’, best-sellin’, corporation-confrontin’ son of a gun known as Michael Moore, all you need to know about his latest film, Bowling for Columbine, is that it’s more of the same. You know, the mix of easy humor, attempts (some successful, most…
Punch-Drunk Love is a Paul Thomas Anderson film — Paul Thomas Anderson of Magnolia and Boogie Nights fame. It is also an Adam Sandler film — Adam Sandler of Little Nicky and Wedding Singer fame. In terms of story, it has far more in common with Sandler’s previous work than…
You ever notice those people? You know, the so-called “stand-up comedians”? Who are those people? What’s the deal with them? And what does that mean, anyway, “stand-up”? I mean, it’s not like we’re gonna think they’re sitting down unless they tell us otherwise!Yes, a decade or so later, it’s easy…
I might as well just come out and say it: Spirited Away is the best movie I’ve seen all year. Though it would be a masterpiece in any language, Hayao Miyazaki’s animated spectacular (and Japan’s highest-grossing film ever) is being released by Disney simultaneously in two versions — one in…
Much like a psychic, a cinema critic must look through a movie and see the other side. In the case of the new thriller The Ring — a remake of the 1998 Japanese hit Ringu — the formative forces swim into focus without effort. There’s a DreamWorks boardroom, some executives…
Roger Avary’s screenplay for The Rules of Attraction is a remarkable work of literature: the disassembly and reconstruction of an impenetrable book by Bret Easton Ellis; a simplification and amplification of the 1987 novel’s attack on the bored, beautiful, and wealthy; a streamlined and mainlined version of a story originally…
The legend of director Werner Herzog goes something like this: Raised in a remote mountain village in the Black Forest of Germany, the young director-to-be lived with no television or telephone and had few lines of communication to the world outside. At age fourteen he began traveling long distances by…
Brad Silberling’s instincts are right about half the time, which means that, depending upon your point of view, his films are either half-empty or half-full. His last picture, 1998’s City of Angels, an American remake of Wim Wenders’s poetic Wings of Desire, tried to marry European art-house cinema with mainstream…
The catering company that provided sustenance to the cast and crew of Just a Kiss, the feature directorial debut of actor Fisher Stevens, is named Cecil B. Demeals. It’s one small detail in a list of credits that appears after most casual moviegoers have walked out of the theater. So…
Where is the dividing line between romantic devotion and psychotic obsession? How can you know whether your romance is Titanic … or Fatal Attraction? Veteran Spanish writer-director Vicente Aranda (Lovers) uses the story of Queen Joan “the Mad” (1479-1555) — daughter of Ferdinand and Isabella, mother of Charles I of…
Twenty years after the rise of gangsta rap, its rebellious legacy is hollow, at least in the U.S. Once the voice of youthful defiance, American hip-hop now espouses a slickly marketed bling-bling message. The original agitators, if not dead, are now soft and fat, spouting songs about hot booty, pricey…
So there’s no confusion, the star of Sweet Home Alabama is Reese Witherspoon, who graces the film’s poster in full-body pout and appears on the press kit in closeup mug-shot smirk; any closer, and we’d shoot up her nostrils and exit through her pores. Of course there’s a great deal…
Among the more preposterous rumors spread by Harry Knowles, whose Ain’t It Cool News movie-biz-gossip Website garners undue attention from studios too craven to do their own thinking, was one from the year’s beginning: Terrence Malick, Knowles “reported,” was working on an adaptation of The Catcher in the Rye for…
