The movie follows Wade Watts (Tye Sheridan), an orphaned teenager living in Columbus, Ohio, in 2045, who spends pretty much all his time, along with everyone else in this world, inside a virtual universe called The Oasis …
… the film is dedicated to “all who have been persecuted for their faith,” which means that in today’s world, it’s pretty much dedicated to everybody
Besides telling the story of two rappers who eventually became casualties in the ‘90s ridiculous East Coast/West Coast rap beef, Unsolved is also a double-stacked, occasionally trite, police procedural
This Terror, developed by David Kajganich and certainly the best of AMC’s prestige-TV horror series, is always suspenseful, superbly acted, shrewdly paced and committed to the summoning up what the experience of Arctic isolation might actually have been like
In 2015, Katiana Urbina was was diagnosed with a brain tumor. After the surgery that saved her life, Urbina found motivation and inspiration in the work of Kanye West. Two years ago, she bought a VIP ticket to his concert in Miami to try and meet her hero. Now, she’s premiering a short film about him that aims portray West in a positive light that Urbina says people have forgotten.
Think of Flower as a little like Sofia Coppola’s teen-thief satire The Bling Ring with the realism and consequences to bad behavior of Catherine Hardwicke’s Thirteen
The film chronicles Roxanne’s teenage years — her brief time in the limelight — when she became one of the greatest in the game
“The robots were the good guys, because humans drove them. So maybe they weren’t technically robots. Well, some of them were.”
… Everything about the series, from plotting to character development to tone, feels contrived, with every speck of subtext hauled up and nailed down to the show’s slick surface
The film suggests Guillermo del Toro’s Pan’s Labyrinth, in the trust the director places in its child character to tell her own story without the adults butting in too much
Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company
It’s fun stuff, but in a deeply corrosive way — daring to suggest that people engaged in a soul-sickening endeavor will find, well, their souls sickened
The 35th Miami Film Festival announced its award winners before the closing-night screening of Holy Goalie at the Olympia Theater this past Saturday. A diverse group of films won, and the names of audience picks were shielded until the fest came to a close last night. After every audience vote was counted, The Last Suit won for best feature, and The Driver Is Red scored big for best short.
The film tells the story of a terrorized woman in a mental hospital who’s trying to convince the staff and patients that she shouldn’t be there and is being held against her will
Even as Maoz seems to be addressing his themes head on, he’s cleverly setting up the conditions for tragedy, and when it hits, it’s somehow both shocking and inevitable
Knowing the real-life inspiration for On the Beach at Night Alone may help one appreciate the film’s moral trajectory a bit better
Uthaug’s film, like the recent reboot of the video-game series, gives us a grittier Lara Croft, one stripped of the advantages of her wealth and all bruised up from the rigors of her adventure
If you’ve ever wondered what it might look like to crossbreed an edgy cable comedy with a jovial network sitcom, A.P. Bio, created by former SNL writer Mike O’Brien, suggests just that sort of Frankenfood
Making it rain has long been mainstream, but the FX show presents a more novel sight: average Atlanta residents, reckoning with what often gets treated as a national rite of passage
Venezuelan filmmaker Claudio Marcotulli’s short film turns mundanity into magic.
On March 16, Miami Film Festival will honor one of the most talented actresses in modern cinema. The night will reflect on an extensive career that spans more than a hundred films, highlight one of her latest leading roles, and finish with a birthday celebration on the stage of the Olympia Theater. This performer is Isabelle Huppert.
… it’s worth reconsidering The X-Files’ feminism today, especially when so much of the series’ fan goodwill is based on the quietly political leaps it made in the last century
