For some reason, I can’t bring myself to hate Jim Brockmire. Played by comedian Hank Azaria, best known for his voice work on The Simpsons, Brockmire wears a perpetually wounded and somewhat confused expression, the look of a man coming off a bender who can’t find his car. His loud,…
On Thanksgiving Day in 1999, a Cuban boy named Elián González was rescued off the coast of Florida while floating alone in an inner tube. His mother and 12 other refugees had drowned in that perilous journey so many Cubans have taken to find asylum in the U.S. Elián’s seven-month…
In 2015, House of Cards’ fourth season had President Francis Underwood (Kevin Spacey) confessing a murder to his secretary of state, ICO (the series’ fictional ISIS) beheading a guy on live TV, lone journalist Tom Hammerschmidt (Boris McGiver) dogging the president with corruption charges, data scientist Aidan MacAllan (Damian Young)…
Perhaps Wonder Woman’s greatest superpower is enduring for the past 75 years as a wildly unstable signifier. Patty Jenkins’ Wonder Woman, starring Gal Gadot in the title role, further adds to this complicated, contradictory cluster of signs and symbols. Forged from deeply feminist sympathies, the character debuted in All Star…
Thomas Vinterberg’s The Commune is partly autobiographical: The Danish director of The Celebration and The Hunt lived in a commune between the ages of 7 and 19, at a time when collective living had become popular in Scandinavia. (The phenomenon also inspired Swedish director Lukas Moodysson’s 2000 masterpiece, Together.) Maybe…
You’ve made it through Memorial Day Weekend with a few great stories and a negative sign in front of your checking balance. Here’s how to get through the rest of the week for free.
Imagine a remake of Cape Fear shot like Kubrick’s The Shining, with Max Cady recast as a child, and you’ll have some idea of the strangeness of Yorgos Lanthimos’s The Killing of a Sacred Deer. The film has quickly proved to be one of the most divisive titles at this…
The tagline for David Lynch’s Inland Empire (2006), which he has avowed is his final film, is a four-word fragment: “a woman in trouble.” However simple, the phrase hypnotically evokes the sinister, insoluble mysteries that have been at the core of many of his ten features and especially in Twin…
The documentary Elián posits the story of 5-year-old Elián González, who was rescued off the coast of Florida in 1999 after attempting to leave Cuba with his mother (who drowned) — a long with its aftermath — as the birth of the 24-hour news cycle. More striking here, though, is…
Solid rule of thumb: Never accept strawberries from strangers on the street, no matter how good-looking the fruit or well-spoken the unknown person. But maybe that’s just me. For Clare (Teresa Palmer), the intrepid Australian backpacker who in Berlin Syndrome finds herself imprisoned in a Berlin apartment by a romantic…
English 101 instructors sometimes combat plagiarism by having students read a piece and then write a summary from memory, in their own words. Most of the time, the resulting papers hit the beats of the originals, the paraphrased passages wallowing in humdrum vocabulary because the students haven’t yet developed their…
Baywatch kinda baffled me. This R-rated comedy adaptation of the cheesy but sincere beach-set action series — which somehow became a worldwide phenomenon in the 1990s — is a movie that should be as enjoyably ridiculous as its source material. In some instances, it is. Director Seth Gordon (Horrible Bosses)…
Female-lead film production team the 1310 Bandits has seen its fair share of hiccups and triumphs in creating short and feature-length films in South Florida.
Yes, dead men tell no tales — but neither, really, do the Pirates of the Caribbean movies. Rather than stories, the series, of which this 2017 entry is the fifth, offers an unpalatable mix of mincing slapstick, rote derring-do, ponderous CGI, whiskery sea-chanty mysticism, and dutiful action sequences whose only…
Yes, there’s spoilers below for this unspoilable show. “Don’t let yourself be hurt this time,” sings Julee Cruise on “Falling,” the plushly minimalist 1989 synth ballad that, a year later, stripped of its vocal and lyrics, would become the opening theme for Twin Peaks. David Lynch himself wrote that lyric,…
A comedy, and also a tragedy, of remarriage — without couples counseling or divorce — writer-director Azazel Jacobs’ The Lovers revitalizes its genre with a piquant premise: What happens when long-wedded spouses, each with a romantic partner outside their dormant dyad, find the spark reignited — a combustion that results…
In Robin Swicord’s Wakefield, an adaptation of the late E.L. Doctorow’s short story of the same name, disillusioned lawyer Howard Wakefield (Bryan Cranston) chases a raccoon from his decrepit backhouse and … never returns. The story’s not science fiction; Howard doesn’t get swallowed by a black hole. He’s still among…
Where are the goddamned roles for Diane Lane? Since her career launched, with a starring role as a precocious 13-year-old American girl in Paris in 1979’s A Little Romance, Lane seems to have confounded casting directors: Is she the button-nosed embodiment of joie de vivre or the anarchist post-punk tempest…
In a world where many people would rather binge-watch 13 Reasons Why on Netflix, two men from Miami are changing the game. Their series, Flaming Classics, educates audiences about classic films that are feminine, queer, campy, and everything in between — and includes live performances by drag queens. It’s 2017, Donald Trump is president, and we need this.
The film is highly self-aware, and Juliette Binoche’s performance as Aude Van Peteghem is delightfully redolent of the snooty dames so memorably captured by Margaret Dumont in the Marx Brothers’ films.
A young man enters a building with a gun in his hand. Already, he has shot the man at the door, and before he is finished, lying in a pool of his own blood, he will have wasted two more. This sounds like a news item from yesterday or today,…
In 2008, the National Academy of Sciences saw an opening for outreach: Get real science in the movies. And by November of that year, it had begun the Science and Entertainment Exchange, which offered a way for Hollywood to link up with scientists to advise and consult on projects. Dr…
