Film, TV & Streaming

Right from the opening scene, where Priest shakes down/humiliates a drug-dealing rapper and his crew, SuperFly establishes that no one can ever be as cunning and crafty as him

Several grown men have been playing the same game of tag for the last three decades, spending one month each year doing everything they can to avoid one another, while also doing everything they can to secretly find and touch one another

New Times’ annual Best of Miami issue is finally here, guiding you through the best in Magic City culture. That guide is more valuable than ever, especially when it comes to Miami’s ever-evolving film industry. If you want the best movies, TV, and film events this city offers, start with these picks.

Now, a slick young billionaire (voiced by Bob Odenkirk) has a plan to make superheroes popular (and legal) again by televising their exploits, and chooses Elastigirl over Mr. Incredible as the face of this new campaign …

… Young soldiers Bartle (Ehrenreich) and Murphy (Tye Sheridan) face the unceremonious cruelties of deployment; through flashbacks and time shifts, we know that only Bartle returns and that he may be somehow responsible for Murphy being classified MIA

Like 2004’s The Raspberry Reich, a satire of what LaBruce has called “terrorist chic,” The Misandrists soaks audiences in the doings (and I do mean doings) of a radical cell of sexual dissenters

The main character, this time named Frank (Nick Offerman), like (High) Fidelity‘s Rob, owns a record store and lectures women about music as if they don’t have opinions — or ears — of their own

The film will screen on the second anniversary of the Pulse massacre in Orlando.

… Much like a paper by a student who has read the wiki but not the work, Mary Shelley marshals its evidence without revealing more, without connecting to the soul of the matter.

From the very first scene, Pose boasts a purposefully slick veneer of artificiality — it’s a little too art-directed, a romanticized version of poverty straight from the set of Rent

Negative Fest in Lake Worth hopes to separate itself from other horror-film festivals through a slate of international movies and short-film categories such as Female Filmmakers and Florida Filmmakers.

That elfin wit Rash plays Bernard, the schlemiel-ish old college pal/rival of David Koechner’s carousing Huey, a one-man sexual Sherman’s March blazing from the Hudson to the East River

The story, loosely adapted from Robert Louis Stevenson’s novel of the monster within, finds Gequil transformed into a murderous electric sylph after lightning strikes the high school’s laboratory

Filmworker walks a fine line tonally, as it reflects both Vitali’s admiration and awe of Kubrick, while also calling into question the way the director allowed his many projects to devour the lives of those who worked for him as well

Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast

… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel

The young newlyweds are violin virtuoso Florence (Saoirse Ronan) and history grad Edward (Billy Howle), each very much in love with but still painfully awkward around the other

The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives

Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …

From samurai epics to low-key dramas, here are the Ghibli movies you should be excited to see.

Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie