At this very moment, members of the Television Critics Association are gathered at the Ritz-Carlton in Pasadena, California, to preview this fall’s new series, interview those responsible for them and, finally, gorge themselves silly and drink themselves stupid on the networks’ dwindling dime. This event, the so-called “press tour,” takes…
Think of it as Todd Solondz light — loads of dysfunction but, thankfully, none of the perversion. In fact despite deep-seated neuroses, occasionally inappropriate behavior, and a propensity for unhealthy relationships, the four females who are the Marks family are a fairly benevolent lot. As observed by writer-director Nicole Holofcener,…
It took the creative giants behind MIIB (a.k.a. Men in Black II) five years to come up with a disappointingly flat and uninspired sequel that not only treads familiar ground but does so with far less pizzazz than the original. It took the forces behind Stuart Little 2 a mere…
The founding fathers of democracy, the greatest warriors and fearless revolutionaries who shaped modern societies and died for their causes, have been reduced, over centuries, to meaningless symbols that decorate parks and national plazas. Their bronze statues are seen in grand majesty throughout the world, but as the Colombian film…
A pal asked last week, “Who you writing about?” Told him, “Art Linson,” which screwed his face into a big ol’ question mark. “He’s a movie producer. He made Heat, Fight Club, Fast Times at Ridgemont High, The Untouchables, Car Wash…” Said said friend upon hearing that last one, “Dude…
This is not your average film festival, of which we know there are far too many. This is a multimedia mix that’s all about archival images; if that sounds out in left screen, it’s maybe because it is. Documentaries from Ron Mann (one reviewed below) are some of the most…
They stream in and out, all day and all night, one after the other: band members, producers, business associates, friends, family, strangers, hangers-on who stare at the familiar face made infamous long ago. The tour bus, this parked sanctuary where he can roll his joints and drink his bottled Starbucks…
At 82, Eric Rohmer is the oldest of the original group of French New Wave directors — the others include Claude Chabrol, François Truffaut, and Jean-Luc Godard — whose careers in film started with the journal Cahiers du Cinema. Yet as is apparent from his latest film, The Lady and…
Like a Jawbreaker that changes color every few seconds that you suck it, MIIB: Men in Black II delivers a quick buzz, lots of stuff to look at, and a totally nonnutritious joy that can only be attained with the aid of artificial flavorings and Yellow #5. In a nutshell,…
Talk about trading down: Adam Sandler now stands in for Gary Cooper, Winona Ryder for Jean Arthur, screenwriter Tim Herlihy (The Waterboy, Billy Madison) for Robert Riskin (It Happened One Night, Meet John Doe), and director Steven Brill (Little Nicky) for the immortal Frank Capra. The mind reels at the…
Steven Spielberg just might turn into a great director if only he’d stop sabotaging his movies. For the second time in as many films, he demolishes his product with a third act that renders all that’s come before it void. It’s as though Minority Report, set in a near future…
If it’s possible for a film to be simultaneously ambitious and banal, The Dangerous Lives of Altar Boys is it. There’s little here we haven’t seen repeatedly in some form or another — growing up Catholic is popular fodder for filmmakers, as is growing up in the American South, usually…
Shouldn’t have said yes, couldn’t say no. The deal was simple, and those who chose to accept it had made their own private pact with the showbiz-journalism devil. “You will spend an hour with Tom Cruise and an hour with Steven Spielberg,” said the publicist, a lovely woman from 20th…
The plot of The Bourne Identity is astonishingly straightforward. It is bereft of twists (instead we’re offered tangible explanations), free of the gaping plot holes that swallow confused viewers, and absent the cynical machinations of filmmakers who believe that to entertain it’s necessary to also bamboozle. This adaptation of Robert…
The opening-credit sequence of Windtalkers — a montage of Monument Valley — instantly invokes memories of the opening of John Woo’s immediately previous film, Mission: Impossible 2, in which Tom Cruise was dangling off a rock. It is the last moment of similarity between the two. Windtalkers is a World…
It’s no surprise that the Louisiana-born novelist Rebecca Wells has seen her wildly popular books translated into eighteen languages, with no less than six million copies in print. She’s no deep-thinking stylist, but she has an unfailing gift for injecting Southern sentimentality, low-grade neurosis, and mischievous charm into stories that…
The plot of The Importance of Being Earnest, for those unfortunates who’ve missed it these past 109 years, goes something like this: A dandified London wastrel by the name of Algernon (Algy) Moncrieff (portrayed in this adaptation by Rupert Everett) welcomes into his chambers his friend and ally, Ernest (Colin…
When this column debuted at the beginning of 2000, readers and editors scoffed at its occasional subject matter, the comic book. Kids’ stuff, they growled, junk food for adults who still live in their parents’ basements. And maybe they were right back then. The industry was dying; the art form…
Once again reels from Rio will screen on the sands of Miami Beach to kick off this year’s festival, which includes 24 films and visits by a number of actors and directors. The big treat: For the first time ever, the opening film (A Dog’s Will, reviewed below) will be…
Thirty-four years later, Carson has returned to the school to deliver a series of lectures on the power of fable and film as metaphor, and he asked Coppola, whose film was partially inspired by David Holzman, to join him. Carson–who appears in Coppola’s feature debut, CQ, and who helped Roman…
The bad news for Memento fans is that Christopher Nolan’s Insomnia is far less complex and challenging in form than the backward-edited art-house hit that sparked as much disdain as devotion among moviegoers last year. The good news for Memento-haters is that Insomnia is far less complex and challenging in…
It’s very tempting to not just dismiss Enough, the latest bill-paying gig by Michael Apted (Enigma) starring Jennifer Lopez, but shred it altogether. Ms. Lopez hasn’t exactly added to her acting credibility with a string of showy, glamorous roles in such mediocre fare as The Wedding Planner and Angel Eyes…
