Back in her early teens, Reese Witherspoon proved herself a terrific actress in her big-screen debut, Man in the Moon (1991). Since then she’s done first-rate work in critical hits such as Pleasantville, cult faves including Freeway and Election, and underrated gems like Best Laid Plans. So how is it…
In the movies dead husbands and dearly departed boyfriends have an irksome habit of revisiting the women who once loved them — usually at inconvenient moments. Consider Demi Moore in Ghost. Poor thing had to put up with the dramatically challenged shade of Patrick Swayze, who droned on and on…
Originally, this was to be a story about how Stan Lee, the industry icon who ran Marvel Comics for decades and co-created Spider-Man and the Fantastic Four, wound up remaking archrival DC Comics’ most venerable heroes in his own image. The 12-part miniseries, Just Imagine Stan Lee Creating, was set…
Even more than the recent Depression-era comedy O Brother, Where Art Thou?, the turn-of-the-century drama Songcatcher is an absolute treasure trove of old-timey, traditional folk music. Set in the Blue Ridge Mountains of Appalachia in the year 1907, the film follows city-bred musicologist Dr. Lily Penleric (Janet McTeer) as she…
A ragtag group of travelers, one of whom is a violent man prone to aggressive outbursts, rides in a ramshackle transport on a journey through dark terrain. Mostly they sleep peacefully, until an error in their navigation equipment becomes apparent and their vehicle breaks down in the middle of nowhere…
By his own definition, Bruce Campbell is a “midgrade, kind of hammy actor”–a B-movie star, in other words, a man whose career unfolds, like a Swedish porn loop, on Cinemax in the wee small hours of the morning. When I mentioned to a handful of people I was writing about…
For almost two decades, Stanley Kubrick wanted to make a film based on Brian Aldiss’s 1969 short story “Super-Toys Last All Summer Long,” about a robot child named David who wants only to be “real” so Mummy and Daddy will love him. The late director of 2001: A Space Odyssey…
The Road Home is the tenth feature from Zhang Yimou, still the mainland Chinese director best known to international audiences. (His closest competition is Chen Kaige, who made Farewell My Concubine and Temptress Moon.) His latest film has a couple of things going for it: It represents a synthesis of…
Alan Cumming is, in no particular order, the following: an actor, a pop icon, a Renaissance man, a sex symbol, a bon viveur and the boy next door. “I am a combination of all those things,” insists the 36-year-old Scot, who punctuates every other sentence with a sly giggle that…
Who would have imagined that at this late date — more than half a century after the end of World War II, after The Diary of Anne Frank, Schindler’s List, Au Revoir, Les Enfants, Pierre Sauvage’s documentary Weapons of the Spirit, and Jan Kadar’s amazing The Shop on Main Street…
If internal combustion ever becomes obsolete — that is, if the auto industry ever allows internal combustion to become obsolete — whatever will movies do for heart-stopping drama? Hoof beats are dramatic, and the chug of a steam engine is suspenseful, but the roar of a gasoline-powered vehicle stirs the…
For the next five days, Richard Lewis will seldom leave his North Dallas hotel room, hidden away at the far end of the top floor with a view of overpasses, office buildings and distant dark clouds. He will venture out only to visit a couple of radio and television stations,…
In the annals of social change, Alma Schindler is strictly small potatoes, and Bruce Beresford’s new biopic, Bride of the Wind, unwittingly threatens to erase her altogether. For those who don’t have the history of the Austro-Hungarian Empire at their fingertips, Alma (Sarah Wynter) was an outspoken party girl from…
Up for a quick trip across the United States? If you can’t spare the time and gas money, an alternative might be the “road” movies currently screening as part of the Reel America Film Series at the Wolfsonian-FIU in Miami Beach. The idea behind the minifestival is to “explore travel…
At this moment, Baz Luhrmann, control freak and self-proclaimed ringleader of conspirators “who conspire to something greater than ourselves,” is not in control at all. The cameraman trailing behind him, like a faithful puppy awaiting treats, does not work for the director; rather, he is in the employ of the…
When he was in his thirties, Ivan Reitman made comedies like a young man. His early movies, among them Stripes, Meatballs, and Ghostbusters, were messy, cocky, charming, daffy, and restless; they did anything for a laugh, even if that meant dousing John Candy in mud or Bill Murray in a…
Now here’s a tricky one. Start with a busload of familiar and appealing stars shacked up together for a couple of weeks in a house in the Hollywood Hills. Assign them their mission: to emulate themselves — sort of — while dutifully reminding us that human relationships can be complicated…
Tamra Davis is bound by contract not to discuss the film that, at this very moment, she’s editing for release next year. “I’m officially not supposed to do any press for it,” the director says sheepishly, so she offers a few off-the-record comments about the movie, a road-trip comedy-drama starring…
Just when we culturally deprived, mystery-starved Americans were convinced that that most delicious of movie genres, the French thriller, was dead and buried, a literate and exciting new filmmaker named Dominik Moll has emerged to revive it — and set our nerves exquisitely on edge. It’s a minor miracle that…
Chalk up another one for George Dubya. A few weeks ago the U.S. Immigration Department refused to allow acclaimed Iranian filmmaker Jafar Panahi, director of both the Oscar-nominated The White Balloon and the Venice Film Festival Golden Lion winner The Circle, to change planes in New York on his way…
“Now wait a minute,” you may ask yourself during the setup of Ken Loach’s new film, Bread and Roses. “Is that Tom Green? Because it sure looks like Tom Green, and judging by the way he’s climbing into that garbage can, he certainly acts a bit like Tom Green….” Well…
The publicist asks if I’d like to speak to D.A. Pennebaker to commemorate the 60th birthday of Bob Dylan, which falls on May 24. She asks this because, during the spring of 1965, Pennebaker made a documentary about Dylan’s tour of England, Dont Look Back, which captured a drained, cagey…
