Vero Tshanda Beya, the Congolese singer turned actress making her screen debut in Alain Gomis’ tough-minded life-in-Kinshasa character study Felicite, can pierce your heart with her croon, rouse your soul with her shout, move you with her mien of cussed indomitability, cut you with her look of wary, weary appraisal…
“Versace” is a puzzle the viewer puts together as it goes on, and with this approach, the story seems to ripen with every episode as we move deeper and more intimately into Cunanan’s past.
Phantom Thread unfolds so quietly that the questions it’s asking about the nature of desire and attraction, and its delicately confrontational back and forth between Alma and Reynolds, may not register immediately
Like many a Collet-Serra protagonist, Michael endures much punishment throughout The Commuter — some of it, as with one close-quarters battle involving a guitar, presented in spectacular extended-take fashion
The Post tells the story of the late Katherine Graham (Meryl Streep), the longtime publisher of The Washington Post, who took over its operations after her husband committed suicide in the 1970s
In Paddington 2, the emigre bear (again voiced by Ben Whishaw) appears to be the glue holding the Browns’ diverse, colorful neighborhood together
Bradlee and Graham learn over the course of The Post to abandon the clubby congeniality that allowed politicians to lie to the press for so long without ever getting called on it
This surge of internal agony seems intended to pulse throughout the movie’s gruesome state-crossing trek, but Bale, in the part, is much less caricature-adjacent in the lighter beats …
Sure, it felt like 50 centuries, and we all look like Medusa, but we’re still (kinda) standing, so holy hell. I think that calls for some TV!
Those expecting camp or catfights won’t find them in Gillespie’s movie, which instead offers thoughtful and somewhat objective critiques …
In the waning days of 2017, it seemed like every viewer in the world dished out their opinions of films released in the past year. Some of them were awful, and others were wonderful — but it’s all subjective anyway, so who cares? Miami has had a tradition of polling…
The show exists in a vaguely defined future time and place — its world’s particulars seem to vary from episode to episode, although fan theories suggest they do all take place in the same universe
Over the course of the film, we go from seeing the elder Getty as a figure of great power to one of no power at all, and that is perhaps the most fascinating part of the movie …
For all the frustrations that 2017 has brought, the realm of queer cinema has been full of features that have thrilled, chilled, and fulfilled every expectation. Though most conversation this upcoming awards season will turn to the quaint, romantic coming-of-age drama Call Me by Your Name, the year’s other lovely cinematic works deserve recognition too, including films with LGBT characters proudly presented onscreen and mainstream films that read as queer in their content, themes, and subtext.
Hugh Jackman is charming as ever, and two dance scenes are mildly inventive and well-executed, yet Jackman’s goodwill and a splash of inspired choreography are not enough to earn the “greatest” in the title
Chastain seems at times to be both the lead and her own supporting actor in this story, as she oscillates between traditionally feminine and masculine modes of behavior
Towering in the center of Times Square in New York City is a billboard promoting Pitch Perfect 3. On it, eight women in black serve serious looks that scream, I’m ready to kick some ass. One of those fierce females is Hialeah native Chrissie Fit. “It was surreal [to see],”…
The Pitch Perfect films have offered an increasingly unpalatable blend of pop-song empowerment, rah-rah women’s friendship and broad gross-out comedy
Wright’s film is fleet but not especially thoughtful, wholly convincing in its production design, and in one crucial sense something rare: Here’s a war movie about rhetoric rather than battle scenes
Based on the best-selling book by Martha Raddatz, National Geographic’s newest miniseries chronicles the events of April 4, 2004, when eight soldiers from the First Cavalry Division from Fort Hood, Texas, tasked with reconstruction, were killed in a two-day siege in Sadr City, Baghdad, during the Iraq War. Jorge Diaz, who plays Army Specialist Israel Garza, seeks to give the “military show” a new face by doing what he does best: bringing joy to even the most painful Latino stories.
Any thinking person watching Downsizing is 10 steps ahead of Damon’s blinkered schlub, and watching him piece together the bare facts about how this future America works — and how our America works today — makes for a frustrating sit
The new one is bigger and dumber than the previous, a feat considering the relentless clatter of the 1995 iteration …
