Independence Day: Resurgence Is a Week Early — and 15 Years Late

Very few advance screenings preceded Independence Day: Resurgence’s arrival in theaters on the evening of June 23. That’s eight days ahead of the July 4th weekend that in simpler times — like 1996, when Independence Day was the year’s biggest hit — was traditionally reserved for the biggest, ka-blammiest movie of the…

Swiss Army Man Has Wonder but Too Much Farty Dada

People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…

Todd Solondz’s Wiener-Dog Embarks on a Satiric Odyssey

A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…

Our Kind of Traitor Kind of Gets le Carré Right

Stanley Kubrick once sent his friend John le Carré a letter about why he couldn’t adapt one of the author’s books. “Essentially,” he wrote, “how do you tell a story it took the author 165,000 (my guess) good and necessary words to tell, with 12,000 words (about the number of…

Blake Lively and The Shallows Are Well Worth the Dive

According to IMDb, Jaume Collet-Serra’s over-before-you-know-it The Shallows runs for one hour and 27 minutes — a number that produces a reaction something like when an NBA roster lists a short-looking player at five-foot-nine and you marvel, Really? Nate Robinson is that tall? The shark thriller has only three or…

Anna Rose Holmer’s The Fits Makes Growing Up a Fight for Grace

In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…

Miami Our City Celebrates Melting Pot of Latino Cultures

If you have ever watched a documentary film about Latinos in Miami, there’s a good chance it focused on a specific group of immigrants — like Cubans of the ’50s. But have you ever seen a film that represents our diverse city’s entire Latino community? Miami Our City: The Documentary, a…

Popcorn Frights Film Festival Announces 2016 Lineup

Forget Halloween as the time to indulge in all sorts of horrific goodies. The Popcorn Frights Film Festival is back, and it’s got bigger films, bigger ambitions, and a bigger lineup. The fest will take place in August instead of October this year. This edition of Popcorn Frights will offer…

Léa Seydoux Enthralls in a Patchy Diary of a Chambermaid

Octave Mirbeau’s The Diary of a Chambermaid, a 1900 novel about the depravities in all social strata written from the point of view of a servant named Célestine, has famously been adapted twice before, by two of cinema’s immortals. Benoît Jacquot’s uneven take on the material won’t challenge the stature…

Genius Dramatizes Editor Maxwell Perkins’ Shaping of Thomas Wolfe

If you can get past the spectacle of British and Australian actors portraying some of the most important figures of 20th-century American literature, Genius is a good example of a prestige pic that is not only literate but surprisingly vibrant. It’s the story of the tumultuous relationship between hot-tempered, Asheville-born…

Pixar Dives Under the Sea Again — and Into Memory Itself

Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…