Critics rarely receive love from filmmakers. Last year’s Best Picture Oscar winner, Birdman, featured a vengeful harpy of a theater reviewer (played by Lindsay Duncan) hellbent on annihilating a play before she’d even seen it. Birdman was joined in its release year by other unfair portraits of critics in Top…
Alan Rickman has died at the age of 69. To Americans of a certain generation, he’ll always be Hans Gruber from Die Hard; to those of a slightly fresher vintage, he’ll never not be Severus Snape. But it was his ability to transcend the typecasting of those iconic roles that…
The Miami Jewish Film Festival is back in town everybody and with it comes a solid selection and variety of movies to explore. But with so many films and so many places to see ‘em, it’s tough to choose exactly which ones to hit up. And that’s why we’ve made…
The Miami International Science Fiction Film Festival is summoning the fantastic to the Magic City this weekend. The festival is only in its third year, but it has doubled in size, adding workshops and lectures to the already packed onslaught of short and feature film screenings. Over 30 independent films…
MTV’s The Shannara Chronicles is gorgeous and lunkheaded, gory and hilarious, sometimes awful and sometimes full of awe. It’s also quite welcome: Just as Terry Brooks tore the pompousness out of Tolkien with his pulpy, brick-thick Shannara novels, the series – executive produced by Jon Favreau – shows your Game…
Seated in the center of a long couch in a meeting room at the Mandarin Oriental, Olivia Munn leans back and lets her body fall into the plush cushion. She looks relaxed and comfortable — two things actors rarely appear after a long day of press. Wearing a formfitting blood-orange…
The conversation about female filmmakers rarely being highlighted in the festival scene isn’t ending anytime soon. Slowly but surely, organizers are trying to widen the lens and include more women. The Miami International Film Festival is joining the conversation and announced today their new partnership with Google on a seminar…
“It is no longer enough for us to just give access to Jewish-interest films. What is at stake for us now is to present the best of world cinema that has a cultural insight and value,” Igor Shteyrenberg, director of the Miami Jewish Film Festival, says boldly. Leading the festival…
A dry-rubbed lark from the often harrowing ultra-realist territories of the Romanian New Wave, The Treasure is about almost nothing — a shaggy-dog daydream as flyaway as its protagonists’ thoughts of instant wealth. Director Corneliu Porumboiu, whose 2006 12:08 East of Bucharest may still…
If you buy into reductive ideas about generations, The Benefactor — Andrew Renzi’s creepy, stately drama of guilt and charity — gains much suggestive resonance. Here’s Richard Gere, that silvery ur-boomer, the American Gigolo now adrift as the depressive who owns the world but prefers not to be out in…
“Tab was a good movie star,” says John Waters near the beginning of the sprightly new documentary Tab Hunter Confidential. When I ask Hunter himself, on the phone from California, if he thinks he was a good movie star, he’s reluctant to share his friend’s enthusiasm. “I don’t know,” he…
Charlie Kaufman is a cartographer of the soul. You can picture him hunched over parchment accurately inking each dark river and, off to the side, cautioning that there be dragons. What makes Kaufman cinema’s best psychoanalyst is a contradiction. He sees people for who we are — hurtful, hopeful, lovely,…
A sure-bet time-waster with a clutch of big laughs? A 100-minute brief on Hollywood’s lack of imagination? Grist for future essays about how quickly the idea of Ice “Fuck tha Police” Cube playing a gun-happy hero cop became routine? Whatever you make of Ride Along 2 beforehand is certain to…
Back in December, we sat with local filmmaker and writer Joshua Jean Baptiste to talk about his project, #Josh, making it to the final round for Project Greenlight’s Digital Series contest. The HBO-backed company put out a call to young filmmakers all across the States offering a $25,000 grant (plus…
If you’ve seen a solid amount of independent films in the last two decades, chances are you’ve seen at least one of the films produced by Killer Films. The company, which has brought us everything from Larry Clark’s Kids to Todd Haynes’ latest Carol, was co-founded by producer Christine Vachon,…
It’s hard to imagine a more unsettling setting for a horror movie than Aokigahara, the famed “suicide forest” of Japan to which scores of pilgrims travel every year to end their lives. At the edge of the woods — which, per Japanese mythology, are rife with demons — is a…
Welcome to 2016, everybody! And with the beginning of any New Year comes two things: a bunch of awards movies flooding theaters, and just as many awful early-year releases polluting the multiplexes. Instead, why not go the safe (and likely, a whole lot more entertaining) route? You know it: classic…
The seventh episode of Transparent’s second season, now available on Amazon, takes place on Yom Kippur. The holiest day of the year in the Hebrew calendar, it’s a holiday on which Jews fast to symbolically atone for their sins. It’s also a significant occasion for Transparent, which, like the Pfefferman…
Ever woken up, looked in the mirror and thought, Dammit, I’m so handsome, this face should be on TV, or felt that you were destined for more than just your 9 to 5? Well, my friends, the time has come for your (potential) 15 minutes of silent, background fame. We’re talking…
Natalie Dormer sits near the window in a hotel room at the Mandarin Oriental, with Miami’s skyline and clear-blue bay her natural backdrop. She wears a red-and-white floral-print blazer that aesthetically complements the topic at hand: her latest film, The Forest. The 33-year-old actress is in town to promote the…
A passive protagonist. Very little conflict. The need for heavy narration to carry meaning. On the checklist of reasons not to adapt a literary source to the screen, Doris Lessing’s short story “Victoria and the Staveneys” ticks nearly every box short of “Is about people who get off on car…
They could have called it Hitchcock/Truffaut/Scorsese/Fincher. Less an adaptation of one of the great books about film than a feature-length recommendation, Kent Jones’ documentary take on François Truffaut’s exhaustive career-survey 1966 interview with Alfred Hitchcock — Hitchcock/Truffaut — is an arresting précis, sharply edited and generous with its film clips…
