Podcast: Fifty Shades of Grey, Starring Sex Batman

Fifty Shades of Grey is opening nationwide, and in New York, Village Voice film editor Alan Scherstuhl connects via the magic of the internet with LA Weekly film critic Amy Nicholson to discuss the hotly anticipated movie starring Jamie Dornan and Dakota Johnson, adapted from the E. L. James novel…

Fresh Off the Boat Is Quietly Revolutionizing the Network Sitcom

(Heavy spoilers for the pilot; very light spoilers for the second and third episodes.) There’s more than one way to start a revolution. You can get high off your own sense of righteousness and authenticity, as celebrity chef and Fresh Off the Boat memoirist Eddie Huang recently did by calling…

Beautiful Timbuktu Finds Hope and Pain in a City Taken Over

To the idle viewer, the small acts of resistance on display in Timbuktu might seem ready-made for Upworthy, little liberal lessons just waiting to be parceled out to anyone who “won’t believe what happens next.” Yet that type of self-righteous sentimentality — and its opposing strawman, knee-jerk cynicism — is…

Jupiter Ascending Is a Fascinating Mess, Grand and Gaudy

“You ready for another miserable video game?” I heard one critic crack to another as I settled in for Jupiter Ascending. “Maybe in March we’ll see this year’s first good movie,” his pal said back, as if Girlhood, Hard to Be a God, Amira & Sam, Timbuktu, Joy of Man’s…

Tech and Film Collide at FilmGate Interactive 2015

As FilmGate Interactive prepares to launch at O Cinema Wynwood, executive director Diliana Alexander explained exactly what the event will be bringing for Miami’s cinema buffs. “I would say that it’s a hybrid between a festival and a conference,” she explains, “because it has a such a heavy teaching component.”…

The 15 Sundance 2015 Films You Need to Know

This year, Sundance started a week late to bypass Martin Luther King Day. Perhaps that’s why buyers bid on films like sprinters racing after lost time. Thanks to their spending spree, every movie on this list should eventually make it to a theater near you — or at least to…

The Queer Brilliance of Jill Soloway’s Transparent

Jill Soloway, who has described her new series, Transparent, as just like any other family series, understands the difficulty of family. Her feature debut, Afternoon Delight, proved as much; exploring the unhappiness of marriage, it’s a perfectly blunt, comic approach to depicting a woman who couldn’t cope with the boredom…

Sundance: Eat Through L.A. With Pulitzer Winner Jonathan Gold

Halfway through Laura Gabbert’s documentary City of Gold, a salute to Jonathan Gold, the Pulitzer Prize–winning food critic’s brother Mark reveals a dark family secret: Gold grew up devouring iceberg lettuce and orange Jell-O. Every day, we eat. It’s a must. And those meals tell a story: The peanut sauce…

Miami International Film Festival Announces 2015 Lineup

Tuesday at the recently renovated Tower Theater on Calle Ocho, Miami Dade College’s Miami International Film Festival (MIFF) announced the lineup for its 32nd edition. Running from March 6 to 15, with screenings at seven theaters throughout Miami-Dade County, MIFF will exhibit 125 films from 40 countries. They include 94…

A Most Violent Year Never Quite Summons Rough Old New York

The world needs fewer tasteful movies about distasteful things. It definitely doesn’t need J.C. Chandor’s A Most Violent Year, in which Oscar Isaac plays a nouveau-riche heating-oil baron in early-1980s New York who’s striving to maintain his principles amid industry corruption and generally scummy behavior. Isaac’s Abel Morales skulks through…

Kevin Costner Is Fine, but Race Drama Black or White Is Cartoonish

There are few hard-and-fast rules in screenwriting, but here’s one we can probably agree on: Something has gone wrong if your crowd-pleasing family drama asks audiences to hope a child’s father proves to be a crackhead. That’s one baffling turn in Mike Binder’s Black or White, a movie about race…

This Year’s Oscar-Nominated Shorts Are Best When True

While many of Oscar’s big shots clock in at more than two hours (led by favorite Boyhood, at 165 minutes), some filmmakers remain committed to telling unique and inventive stories that don’t require viewers to set aside an entire night to enjoy. The Academy Award-nominated short films — which, for…

Russia, a Whale, and a Way of Life Moulder in Leviathan

Where we come from defines us more than we even realize: That’s the idea implicit in Andrey Zvyagintsev’s somber, sturdily elegant drama Leviathan, in which a mechanic who has lived on the same parcel of land all his life — as his father and grandfather did before him — resists…