It was to have been a routine stop on a routine press tour, yet another town in which the actress was to show up, chit and chat with the local media about her movie, then move on–the traveling salesman getting the word out, moving The Product. Denver, Dallas, San Francisco,…
On Golden PonderingLet us now praise famous filmmakers, specifically the lauded team of director James Ivory and producer Ismail Merchant, whose latest film, The Golden Bowl, headlines the Miami Film Festival. In forty years and seventeen theatrical productions, this team has compiled a superlative record of finely wrought films, almost…
With In the Mood for Love, Wong Kar-wai solidifies his stature as the subtlest and most idiosyncratic of Hong Kong directors. In an industry best known for its accessible, crowd-pleasing comedies and action films, Wong has turned out a series of increasingly risky dramas that make little or no concession…
Brazilian cinema has to be one of the most underrated sources in today’s movie industry, at least from an American perspective. While Hollywood troglodytes are only now waking up to the pleasures of Latin filmmaking, studio-level attention largely is focused on Spain and stories that can be considered “crossover.” One…
The most important thing to remember while watching La Virgen de los Sicarios (Our Lady of the Assassins) is that this is not a documentary. Because Colombia usually is represented in international cinema as the den of drug lords, it is easy to take offense at this portrayal as yet…
Sometimes, usually out on the golf course near his home in upstate New York, Dan DeCarlo feels terrific, far younger than his 81 years. He’ll thwack the ball, reflect upon his 55 years of marriage to the same beautiful woman and occasionally contemplate a life spent drawing and creating some…
The renowned South African playwright Athol Fugard has one commanding subject: his vivid social outcasts’ lifelong confrontation with the oppression of apartheid, and the nobility of their survival. In Boesman and Lena, written in 1969 as the third part of a dramatic trilogy that also included Blood Knot and Hello…
Lance Barton, thin as paper and frail as fine china, is such a horrific stand-up that during an amateur-night performance at the Apollo Theater, he is booed with so much force, he’s literally knocked off the stage. Lance’s manager insists he’s a failure because he’s afraid of being himself: Lance…
The four friends at the center of the smart 1998 Venezuelan social satire Little Thieves, Big Thieves (Cien Años de Perdon) recall the motley group of male strippers in the British sleeper The Full Monty (1997). Like the underdogs of that film, the foursome in Thieves is composed of desperate…
When the lights finally came up in the Washington, D.C., movie theater, Leonard Nimoy sat still, silent, and a bit shaken. He could scarcely believe what he had seen–and what he had not seen. The movie was beautiful, but beneath the surface sheen, there was no heart, no soul. It…
The Twentieth Century is replete with examples of unconscionable crimes carried out in the name of some quasi-political, military, or religious cause — acts of such misguided judgment and mindless brutality that they seem to cross an invisible threshold of decency, morality, and understanding. The My Lai massacre of 1968,…
Film has always turned to classic literature for inspiration, but rare is the film adaptation that dodges the Scylla and Charybdis of the trade: too much reverence leads to inert moviemaking, too little results in parody. In Time Regained Chilean director Raoul Ruiz has taken on the Mount Everest of…
Eddie Izzard knows precisely why he wanted to become a performer, be it an actor or stand-up comedian or, for that matter, a street performer entertaining passers-by for spare change. When he was 6 years old, Izzard was living in South Wales with his parents and older brother. Before that,…
Watching this film is like watching a donkey being beaten for 90 minutes, so egregiously is the titular character treated and so powerless does she appear against her offenders. That the abuse is treated in a comedic fashion for a good part of the film makes it even more unacceptable…
Have you heard? Beauty’s only skin deep. Pay attention now: When it comes to love, experience is the best teacher. And just in case you didn’t know: Youth is wasted on the young. Such are the banalities director Tonie Marshall dispenses, more or less, in Venus Beauty Institute, a French…
Outside avant-garde or experimental showcases, short dramatic films used to be little more than a means to an end — a risky route to an uncertain mainstream future. Getting one made usually was easy enough, as these things go. The hard part was getting it shown, especially if you were…
Quick, what gonzo visionary is a prime inspiration for many American directors, including Tim Burton, Terry Gilliam, and Julie Taymor? The answer is Jan Svankmajer, an obscure Czech puppet master and filmmaker whose latest feature, Otesánek, makes its Florida premiere (and second U.S. screening) at the Mercury Theatre on Saturday,…
That anyone should consider making a film of Reinaldo Arenas’s memoir Before Night Falls is curious. That the person to do it should be painter-turned-film director Julian Schnabel truly is unusual. And that the results should be as good as they are is most remarkable of all. But it would…
The doomed often are a remarkably energetic and productive lot, especially when it comes to creating portraits of their personal horrors. Themes vary in intensity between slow self-destruction and grand devastation, but in vampirism the full spectrum of ghastliness may be covered, because the imbalance represents so much to so…
For 17 years, Dorothy Swanson has waged the loneliest battle: keeping good shows on television, a medium that exists as if only to taunt her. You can hear in her voice the toll such a struggle has taken on her. Her voice breaks and softens when she speaks about the…
Israeli writer-director Amos Gitai’s last film, Kadosh, was a claustrophobic tale of two sisters living in an ultra-Orthodox religious community in Jerusalem. The 1999 picture moved at a snail’s pace and turned an already rigid, divisive belief system into a completely alienating experience. In contrast the director’s most recent work,…
With the canon of Jane Austen all but exhausted, literary filmmakers continue their assault on Edith Wharton, another sharply observant writer of yore with something timeless to say about the plight of women. Terence Davies’ The House of Mirth, from Wharton’s beautifully detailed, ironically titled 1905 novel about a mannerly…
