If M. Night Shyamalan makes movies to be seen twice, then Joel and Ethan Coen make films to be pawed over a dozen times. O Brother, Where Art Thou?, an opulent and often slapstick updating of Homer’s The Odyssey by way of Preston Sturges, Robert Johnson, and Clark Gable, sneaks…
At the time, it was meant to be read as a great compliment: Jaime and Gilbert Hernandez create comic books for people who don’t read comic books! A publisher or pitchman couldn’t have come up with a more glorious phrase, one magical sentence that would reel in the literate and…
For slightly more than a decade, Chinese martial arts films have directly and indirectly gained a growing audience in the United States. Now the genre may find its greatest breakthrough coming from an unlikely source: director Ang Lee, best known for comedy-dramas of social manners such as Sense and Sensibility,…
The war on drugs has become this generation’s Vietnam, the unwinnable conflict that will, in the end, destroy the innocent and reward the guilty. That, in a coke vial, is the premise of Steven Soderbergh’s Traffic, a film that gives flesh and face to bloodless government statistics and statements seldom…
“You’re right! I quit!” Until this moment–this shrill outburst that comes out of nowhere and startles both interviewer and subject–Marisa Tomei had been speaking in hushed tones, like someone making funeral arrangements. Every so often, she would punctuate her sentences with giggles–some nervous, some delirious–but suddenly, she is laughing uncontrollably…
Welcome to the cinema, the great communal meditation chamber, circa 2000. Okay, now throw open all the exit doors, because some of our communal celluloid putrefied over the course of this year, and we’re going to clear the air by dispensing with the top offenders first. Whether it was the…
Thank God for old Jews with shaky hands and the inability to tell this word (G-O-R-E) from this one (B-U-C-H-A-N-A-N). Without them–and Survivor Richard Hatch, that self-proclaimed “fat naked fag” who, as is turns out, is just a really concerned parent and not at all, uh, abusive–it would have been…
Finding Forrester is the latest film from director Gus Van Sant, one of the true American originals to emerge in the Eighties and Nineties. When Van Sant is at his best, he gives us stories and images we’ve never seen before. Finding Forrester, however, is not Gus Van Sant at…
It’s where Walter Huston found paradise at the end of The Treasure of Sierra Madre, where the murdering lovers Steve McQueen and Ali McGraw rode into the sunset at the end of The Getaway, and where Thelma and Louise were headed when they ended up at the Grand Canyon. There…
If you consider Northern Ireland to be part of Ireland proper, then An Everlasting Piece easily may be the best Irish film of the year (not that the competition was too stiff — anyone remember The Closer You Get?). If, on the other hand, you consider the six counties to…
This cinematic bonbon has all the ingredients required to spin an audience into the throes of fuzzy warmheartedness — the hope, the compassion, the joie de vivre — blended with the skill of a consummate confectioner. Much like a box of sweets with a convenient guide inside the lid, there…
The moods of Kenneth Lonergan’s You Can Count on Me are so artfully mingled that it’s difficult to get a fix on this highly personal independent feature. Set in a quiet little town in upstate New York’s lovely Catskill Mountains, it is at once a drama about the unresolved traumas…
Contained within a care package sent by C.D. Payne is a self-penned press release introducing the author as “the Rodney Dangerfield of comic novelists,” complete with a picture of the bug-eyed comedian and his shopworn catchphrase “I can’t get no respect.” As it turns out, this is the letter Payne…
Fair warning: Enough time has passed that it’s OK to discuss the ending of writer-director M. Night Shyamalan’s Unbreakable. Those who have not yet seen the film and intend to might want to keep on moving. Or perhaps not: To reveal the ending, all 180 or so seconds of it,…
Assessing the merits of Quills, the lusty new feature by director Philip Kaufman (Henry and June), it’s tempting to seek correlative characters from popular movies to illustrate just how radical this business is not. In Kaufman’s film — affectionately constructed upon a screenplay by Doug Wright, who adapts his award-winning…
What Women Want could be the first movie to win a Clio Award for Advertisement of the Year. No fewer than two dozen products receive prominent placement in the film, from Federal Express to Foster’s Lager to Cutty Sark to L’eggs panty hose to US Airways. After a while you…
Christmastime is here, but for the first time, Charlie Brown’s father will not be around to watch his depressed, round-headed child celebrate the holiday. He will not be in front of the television next week to watch his little boy seek psychiatric help from a nickel-grubbing girl who diagnoses her…
There’s bound to be a philosopher somewhere who has offered the opinion that banality, if marketed well enough, becomes the model of success. Given the spew of mediocrity that’s hyped in the media, that theory is a reasonable assumption. But there’s a corollary that’s worse. If it hasn’t been hyped,…
Documentaries have been out of fashion in the film world, though exactly what a documentary is remains debatable, at least in Hollywood circles. (Roger and Me and The Thin Blue Line did not qualify for Oscar consideration, according to the rules.) Whatever you want to call these offerings from the…
About halfway through the megabudget mountain climbing adventure Vertical Limit, even the most rugged, thrill-hungry fans of disaster movies may find themselves going numb. Not from the howling weather on the icy face of K2, in the Himalayas, where the action supposedly takes place. Not from oxygen deprivation. Not even…
Happy hooker? Femme fatale? Damsel in distress? The movies have always been fascinated with prostitutes. Most films generally portray them as resourceful, often wise and amusing, and somewhat scary, using sex in ways that both amaze and titillate (from Blue Angel on through Mighty Aphrodite). The sordid aspects of the…
If the concept of that dubious celebrity Ben Affleck romping in a water park with cinematic darling Gwyneth Paltrow and two adorable moppets does not inspire in you spasms of dizziness and nausea, then you may find plenty to tolerate in this new romantic dramedy Bounce, from writer/director Don Roos…
