Black Mass Is Strong, but Johnny Depp Is Not Back Yet

James “Whitey” Bulger was more like a character from a 17th-century folktale than a late-20th-century criminal, the sort of figure who’d murder innocents on wooded roadways and then, with a shrug, toss their bloody bones to hungry wild dogs. In ’80s and early-’90s Boston, he headed a criminal syndicate known…

Breathe Shows That Nothing Is Scarier Than Teendom

Friendships between women have the ambiguous vitality of growing vines: They can either strangle or nurture, and at times it can be hard to tell the difference. That’s particularly true for young women first stepping into the puzzling gray area of rivalries and loyalties. How best to support your friends…

The Twist? The Visit Is the Third First-Rate M. Night Shyamalan Film

Who saw this coming? The Visit, M. Night Shyamalan’s witty, crowd-jolting spook-house of an 11th feature, is its writer-director’s best movie since the tail-end of the last Clinton era. And it’s the best studio horror flick in recent years, combining the but-what’s-in-those-shadows? immersion of The Conjuring, James Wan’s basement-wandering simulator,…

New Miami-Based Fox Series Rosewood Will Premier This Month

Stop me if you’ve heard this before: a television crime drama is being filmed in Miami. I know, groundbreaking stuff.  Fox debuts Rosewood September 23rd at 8 p.m., the newest version of a who-done-it placed with a backdrop of beautiful Miami. Rosewood is based on the main character Dr. Beaumont Rosewood, Jr. (Morris Chestnut) —…

What Could Beat Cruising With Grandma Star Lily Tomlin?

It’s a perfect summer afternoon in Los Angeles, and Lily Tomlin wants to do everything: drive to Neptune’s Net in Malibu, explore the L.A. River, tour Koreatown, grab cocktails in West Hollywood. She jumps in her 1955 Dodge Royal Lancer — her other car, a Prius, balances out its ecological…

Miami International Film Festival Announces GEMS Line Up

Knowing full-well that Miami can never get enough films, The Miami International Film Festival (MIFF) brings back their Fall film event with a make-over of sorts, and it’s a damn good one. GEMS offers up fourteen feature films exclusively at MDC’s Tower Theater Miami, among other events, to satiate filmgoers…

Learning to Drive Gets Moving Only as It Ends

There’s a knot of tough, tender, persuasive scenes near the end of Isabel Coixet’s life-advice drama Learning to Drive. These are muscular enough that, had they come earlier, they might have powered the movie — the filmmakers’ hearts might be in the right place, but the film’s doesn’t kick in…

Elisabeth Moss Makes Queen of Earth‘s Retro Unspooling Vital

Sometimes a face is enough to anchor a movie. In writer-director Alex Ross Perry’s Queen of Earth, Elisabeth Moss plays Catherine, a young city-dweller who, after recently suffering both her father’s death by suicide and a crushing breakup, treks to the country to spend a week with her best friend,…

Tennis Comedy Break Point Never Scores

The first famous tennis player was King Louis X of France. Nicknamed Louis the Quarreler for his domestic politics, meaning he was likely a real pain to the ref, King Louis is renowned for two facts in athletic lore: He invented the indoor tennis court, and, after a hard, hot…

Dragon Blade Is Crazy, but Not Quite Crazy Enough

There’s a lot to laugh at in Daniel Lee’s faux-historical Silk Road adventure Dragon Blade, not least of which is the sight of Adrien Brody as corrupt Roman consul Tiberius wearing a tumble of raven-colored beauty-queen curls and purring in a phony British thespian’s accent. With his blue crushed-velvet cape…

Greta Gerwig Storms Through Baumbach’s Mistress America

Brooke, Greta Gerwig’s latest Manhattan creation, is a hurricane gobbling up lives. She’s a singer, restaurateur, interior decorator, math coach, spinning instructor, and self-described autodidact. When 18-year-old admirer Tracy (Lola Kirke), Brooke’s sister-to-be following their parents’ Thanksgiving wedding, squeaks that she wants to write short stories, Brooke devours that idea…

Steve Jobs Plays Like a Secret Sequel to Going Clear

Director Alex Gibney’s choice to follow this spring’s Scientology slam Going Clear with the fascinating portrait Steve Jobs: The Man in the Machine might seem like an about-face. The first documentary clinically eviscerated a religion that everyone loves to loathe. Apple CEO Steve Jobs, however, is adulated to an incredible…

There’s No Escaping No Escape‘s Suspense — or Its Xenophobia

This mean and vigorous men’s adventure pulp throwback has everything going against it. It’s a late-August release whose leads, Owen Wilson and Lake Bell, tend to be the best things in movies you otherwise regret seeing. The trailers, teasing the story of a toothsome American family hunted by peasant-rebels in…

Netflix’s Narcos Tries to Be The Wire for Colombia’s Drug War

Narcos, Netflix’s new drug-war docudrama, is nearly as ambitious as its central character, Pablo Escobar. Over the course of 10 dense, sprawling episodes, the series tells the 20-year history of the narcotrafficker’s rise and fall in relation to Colombia’s blood-soaked history and the U.S.’s escalating drug war, from Richard Nixon…