Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with Amy Nicholson of the LA Weekly, run down the worst and best of the movies they saw this summer, which as summers go, wasn’t so terrible! Among the best performances were those by Sam Elliott, wonderful in two movies,…
It’s been over a year since the first time I met Nayib Estefan in the back room of Gramps, just as he was starting up Shirley’s and telling me just how badly he wanted to bring classic films to Miami through Secret Celluloid Society (SCS). To think that over that…
Sometime in the 1980s, Marlon Brando had his face digitized, presumably as a way of leaving just a bit more of himself after his departure from this planet. As we see it in Stevan Riley’s documentary Listen to Me Marlon, that speaking, moving hologram looks like a cross between George…
Remake The Graduate today and an adult might corner Benjamin Braddock and whisper, “Startups.” Debut director Max Joseph gives that a good shot, though the result — the EDM-fueled, drug-laced dream-crusher We Are Your Friends — is so sweaty and silly that people may not notice.
“You could make five different N.W.A movies. We made the one we wanted to make.” That’s director F. Gary Gray during an audience Q&A after a recent screening of Straight Outta Compton, the long-awaited N.W.A movie. In our review, Amy Nicholson writes that there’s much more to the group’s story:…
The influence of David Fincher’s Se7en on Hollywood has been profound; from 8mm to Minority Report. Now you will find that influence in a starkly serious detective story from Spain called Marshland (La isla minima), which will have its U.S. theatrical premiere in South Florida this Friday, after first premiering…
The world of film noir is peopled with melancholy men trying to do the right thing even when they don’t quite know what the right thing is. Always — always — they fall for the wrong girl. Joseph Cotten’s Holly Martins — the highly principled, if confused, heart of Carol…
Promising and disappointing all at once, Jon Watts’ back-roads thriller Cop Car heralds the arrival of a significant director, one adept not just at the usual action and suspense but also at the fleet, affecting depiction of lives as they’re actually lived. In the opening scenes, the camera glides alongside…
Nima Nourizadeh’s American Ultra is a bloody valentine attached to a bomb. It’s violent, brash, inventive, and horrific and perhaps the most romantic film of the year. Jesse Eisenberg and Kristen Stewart star as Mike and Phoebe, two West Virginia stoners blissed out on weed and each other. “We’re the…
In a world gone mad for superhero movies, what chance does the light spy caper have? Audiences will put total faith in a guy wearing a red metal suit, but the soft woolen folds of the bespoke kind barely register. When a whole city can be blasted to smithereens thanks…
Less than a generation ago, Yonkers, New York became the face of segregation today, segregation tomorrow, segregation in my backyard. A federal court order to construct 200 units of low-income residences east of the Saw Mill Parkway, i.e., in the white part of town, led to riots and bombings, death…
One of this year’s most poetic documentaries, The Look of Silence, is also one of the most important films of the year. It’s because it asks you to understand: what do you do when there is no justice after your neighbor has picked up a machete to kill your son…
Halloween may be a ways away, but that doesn’t stop the early preparation for the horror! As stores slowly but surely begin to prepare for an event that’s months away, Miami’s film community is doing the same. And the fun this October launches the very first day of the month,…
In the holy trinity of N.W.A., each icon had a power: Dr. Dre produced, Ice Cube wrote the words, and Eazy-E was the comic relief. N.W.A.’s biopic, Straight Outta Compton, blurs those roles. Both Dre and Cube produced the film and seem to have edited the script with a red…
In 2012, documentary filmmaker Joshua Oppenheimer made a splash with The Act of Killing, in which he sought out members of Indonesian killing squads, individuals who murdered thousands of innocent citizens accused of being communists after a military takeover in 1965, and invited them to reenact their crimes in the…
“This conversation is the best one I ever had,” David Lipsky (Jesse Eisenberg) tells us as The End of the Tour wraps up, and the movie, a pleasantly talky chamber piece, gives us welcome bursts of it. That long chat, with a David Foster Wallace (Segel) abashed by the success…
Joshua Oppenheimer’s The Act of Killing, about Indonesia’s 1965 genocide of more than half a million alleged “communists,” was not only the best documentary of 2012, but one of the finest films of the past decade. In it Oppenheimer persuaded the perpetrators of mass murder to re-enact their crimes on…
Jason Segel didn’t tell his book club he’d been cast as novelist David Foster Wallace in James Ponsoldt’s biopic The End of the Tour. “I didn’t want to sound like Fancy Pants McGee,” Segel admits over lunch in Los Angeles. (Especially since the six-foot-four comedy actor is famous for dropping…
From the trailer, and just from its initial vibe, Joel Edgerton’s directorial debut The Gift looks like your stock “When bad things happen to good people” thriller, complete with a soulful pet dog you just know is going to get it. But dog lovers, and everyone else, should know that…
1. Really, it’s all in one line of dialogue. Late in Josh Trank’s Fantastic Four, that ever-lovin’ man-mountain Benjamin J. Grimm sets himself at last to the good work of bad-guy punching. As he rushes off to pound Doctor Doom, he mutters, “This is what I do.” He’s resigned to…
With the Kremlin and White House not exactly seeing eye to eye these days, it almost feels like we’re on the verge of a second Cold War — if we aren’t in one already. (In case you were wondering, the next great war will probably be fought in space with…
Jonathan Demme’s rock ‘n’ roll dramedy Ricki and the Flash exists in a wormhole where the past five decades of pop culture are a blur. There’s 66-year-old Meryl Streep, playing a broke singer who ditched her family to dominate the stage with the whiskey growl of Janis Joplin, the jangly…
