Madea’s Big Happy Family: No Thank Yer

Five months after showing how bad he could do all by himself in adapting Ntozake Shange, Tyler Perry returns to transferring his own stage work to the screen, donning once again the Lane Bryant floral prints that have made his millions. Like its predecessors, Madea’s Big Happy Family features a…

Billy Corben Talks Marijuana After Square Grouper Screening (Video)

Billy Corben doesn’t get high, but he does believe in weed, man. Last week, after a 4/20 screening of Rakontur’s new documentary Square Grouper, about the mega-ton pot smuggling scene in Everglades City, the director offered his opinion on the decriminalization of marijuana. “I don’t think the federal government should…

Borscht Film Festival Defends Dade

The Borscht Film Festival is a love letter to Miami, one covered with lipstick kisses and a few other suspect stains. Last night’s seventh edition at the Arsht Center’s packed Knight Concert Hall was a three-hour showcase of 305 talent. Of the 23 shorts, 97 percent were shot in, edited…

Carancho, Argentine Social Exposé-cum-Thriller, Opens at Coral Gables Art Cinema

In Argentina, the only thing more dangerous than the rampant auto accidents and understaffed hospitals is the ambulance-chasing attorneys who prey upon the injured and grieving. Carancho, Pablo Trapero’s social exposé-cum-thriller, concentrates on one such “carancho” (translation: vulture), Sosa (Ricardo Darín), and his budding relationship with junkie doctor Luján (Martina…

Five Must-See Films at the Miami Gay and Lesbian Film Festival

The Miami Gay and Lesbian Film Festival, (MGLFF) now in its 13th year, is back. The festival open tonight and runs until May 1, with 50 films over 10 days. This year’s selections include all kinds of features, from Tomboy, an animated short about a queer kid, to the documentary…

Street Fashion Doc Bill Cunningham New York Opens at O Cinema

Every day, 82-year-old Bill Cunningham stands on a bustling NYC street corner and takes pictures of strangers. The man’s no creep; he’s the photographer behind New York Times’ “On the Street” column in the Sunday Styles section. And to appear in one of his round-ups is validation that you’re sporting…

I Saw the Devil Stretches to Sadomasochistic Extremes

The pan-genre über-hack of the new Korean zeitgeist, Kim Jee-woon has been deft in some arenas: 2003’s A Tale of Two Sisters suggests a nightmare endured inside a suffocating velvet pillowcase, while 2008’s breathless The Good, the Bad, the Weird pioneered the fourth-gear lo-mein Western with such brio, you could…

Jorge Rubiera Explains Why Conquistadors Make Everyone a Fool

When we saw the stills from Jorge Rubiera’s new film, we were stunned. They transported us to another time and place. Rubiera, winner of the New Times MasterMind award for narrative, is someone who knows how to hold a camera and when to take a shot.The current working title of…